Extract “Stealth”

Hello Friends!

Today I bring you guys a extract of the fourth book in the Rina Walker series, “Stealth“, written by Hugh Fraser, that got published this Autumn, so you can no go get it. Actually, go get all the books in the series.

This is a Thriller, Crime and Mystery kind of novel, so expect to be taken on a rollercoaster and have peaks of adrenaline and to end up on the edge of your seat most of the time.

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Blurb

When a step out of line means a fight to the death…

London 1967. A working girl is brutally murdered in a Soho club. Rina Walker takes out the killer and attracts the attention of a sinister line-up of gangland enforcers with a great deal to prove.

When a member of British Military Intelligence becomes aware of her failure to fulfil a contract issued by an inmate of Broadmoor, he forces her into the deadly arena of the Cold War, with orders to kill an enemy agent.

Rina needs to call upon all her dark skills, not simply to survive but to protect the ones she loves.

Buy Link – Amazon

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About Author

Hugh Fraser is best known for playing Captain Hastings in Agatha Christie’s ‘Poirot’ and the Duke of Wellington in ‘Sharpe’. His films include Patriot Games, 101 Dalmatians, The Draughtsman’s Contract and Clint Eastwood’s Firefox. In the theatre he has appeared in Teeth’n’Smiles at the Royal Court and Wyndhams and in several roles with the Royal Shakespeare Company.

He has also narrated many of Agatha Christie’s novels as audio books. Hugh has now written three books in the Rina Walker series – Harm, Threat and Malice. Stealth is due in autumn 2018.

Social Media Links – Twitter

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Extract

I stand in the shadows at the back of the club and clock the action. All the tables are occupied, mostly by our girls with punters, their faces lit by the glow from the pink shaded table lamps and the odd stroke of light from the glitter ball. Waitresses are slipping between the tables with bottles of fake champagne for the girls and straight drinks for the punters. I look at the crowd standing round the bar and recognise a couple of faces from a Clerkenwell firm, who I’ve not seen in here before, talking to a big fat bloke with a small blond woman hanging off his arm.

While I’m wondering what it might be about, Lizzie comes out of the door behind the bar and walks towards one of the tables. She catches the eye of the girl and gives her a nod. The girl says something to the punter and then leads him past the bandstand and through a door at the back of the club. As Lizzie turns to the bar I step forward and she sees me and comes over.

‘Hello loveliness,’ she says, slipping her arm round me and brushing her lips against my cheek. I want to kiss her full on but two Japanese gents are staring at us, so I give her a quick peck and follow her through the tables as the band go into ‘Bring it on Home’. She leads me into the office, we have a quick cuddle, then she pours two whiskies, gives one to me and we sit on the sofa.

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Love,

Jess

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